Golfers especially talk about “grooving” their swing, and in almost every sport a player strives for that feeling of “getting in the groove,” the feeling that everything is going just right. In basketball there is one quick, specific way to practice shooting that is very effective for putting your shot-off-the-dribble in the groove.
Stand at the free throw line. (From “head on” the ball comes back to you faster, you don’t have to chase it from side to side. If you have a “feeder,” stand anywhere you like, about 15 feet out.) You want to be at a distance where you can shoot well, and you want to get a lot of shots in a short period of time. Tune your concentration onto just the thing you are doing. You want to practice getting off your shot with a quicker- than-normal release, not so fast that you throw it at the basket and fail to follow through but definitely faster than you normally shoot.
Stand there and put one hard dribble at your feet, move both feet slightly (a few inches each), and be impatient to get that ball off the floor, out of your hands and into the basket. It might seem as though this hard-dribble-not-going-anywhere is unrealistic, since you will never take tiny steps like this in a game. But what it does is groove your shot off the dribble so that wherever you dribble to, no matter how many dribbles you have taken to get there or how big your steps, your last dribble and steps begin to feel like the grooved dribble-steps that you practice all the time, that one quick move and shot that you learn to make “in your sleep.”
That’s what “the groove” is all about. You practice that hard-dribble quick-release shot from a place where you are good, and you develop confidence. You feel you can hit that shot anytime. Then you get in the game, and every shot from every place at the end of every dribble “kicks” you into rhythm, the same rhythm you develop confidence in by doing that one thing over and over in a situation that is easy.
It might be even better to practice 462 shots a day where you drive full speed from the mid-court line to the free throw line, stop abruptly, go straight up and shoot. But who is going to do that? Who has the energy? Or the time? There are too many things to learn, pickup games to play in, ball handling drills, one-on-one moves. No one is going to shoot 462 hard moving, abrupt stopping shots per day. But you can shoot 100 quick-release groove shots a day and not be at all tired or even use up much time. When you get a hard-driving chance from midcourt to the free throw line in a game, it won’t feel like a new experience. It will seem as though you’ve practiced it thousands of times.
You definitely need to work on a quicker release. Most players take more time to shoot in basketball practice than they will get in a game. It is fine to practice shooting slowly, concentrating on correct form, so that you get confidence that you can shoot well. However, some of your practice must overdo it so that the shots you get in a game seem easier, not harder, than the ones you get in practice.
It is very easy to slow down a shot in a game when you have time to do that, but almost any shot sped up to get it off misses. Therefore, once you’ve practiced a quick release, there will be no such thing as speeding up your shot in a game. Either you get the groove shot that you work on all the time, or you get an easier shot, but certainly nothing faster.
One final note. If you can’t hit 8 or 9 of ten from the free throw line almost every time, you aren’t ready to practice quick-release-groove shots. First, you need to learn to shoot. Then, learn to shoot faster. It is difficult to imagine any basketball coach wanting a mediocre shooter to learn to get off more shots!
It is the very good shooter who needs work on the quick-release-groove shot so that his game percentage is at least comparable with his practice percentage. Being good at “H-O-R-S-E” does not assure you that you will be a good game shooter. But once the quick-releasers pop in from all over in practice, they will pop in from all over in games, too. A groove knows no distinctions!
The best playmakers in the game have mastered court vision to a point where it seems they have eyes on the back of their head.
If you want to become a dominant playmaker, PGC Director Tyler Coston describes three levels of court vision that all great playmakers have in their toolbox.
“USE YOUR LEGS!” Whether it’s at the lowest levels or at the highest levels of play, this is a cliche that isn’t necessarily accurate. Join PGC Director, Tyler Coston as he shares a technique that will get you more power and shoot with more accuracy further away from the rim.
One day, a college coach may ask your coach, if you’re deserving of a college scholarship. Will your coach vouch for you?
Here are 3 questions every player should ask themselves to discover if they’re recruitable.
PGC Basketball provides intense, no-nonsense basketball training for players and coaches. Our basketball camps are designed to teach players of all positions to play smart basketball, be coaches on the court, and be leaders in practices, games and in everyday life.
We combine our unique PGC culture with a variety of teaching methods and learning environments to maximize the learning potential of those that attend our sessions. In addition to spending 6-7 hours on the court each day, lessons will be reinforced through classroom sessions and video analysis.
Our goal at PGC is to empower you with the tools to fulfill your basketball dreams, while also assisting you in experiencing the joy of the journey.